An interconnected family of supernovas burning bright in the night sky: take a moment, reach out—join us.
I baked a cake for my mother
Joy Mao
I bake a cake for my mother
in a mixing bowl of stainless steel.
(as if that would remove the taint.)
I sift flour grounded from the depths of
my heart, through a sieve called
Sarcasm—no, Back-talking—I said no, Mother—
WHY ARE YOU YELLING AT ME—
Silence.
I measure half a teaspoon of baking powder,
hoping the cake won’t
rise like my temper like my mother’s rage
like salty, stinging, backwards
tears returning, because I can’t
let them fall.
Then I wouldn’t need the half-teaspoon of salt.
I bring out a second bowl,
marred in scratches but
still unstained deep in the centre of this
developing cage.
Then unsalted butter, softened—
not melted, free-flowing affection,
not solid, frozen, buried and
lying six feet under—I can’t
taste lips salty with lies, moisturized
by biting beads of poppies and
cracked—like eggs, two whole and one
stripped of yolk—transparent—
not anymore.
I add half a cup of sugar and my mother’s voice
says add less, that’s too much but
I want to taste my rebellion in every
falling grain, diamonds painted with
cold, biting refusal.
Saccharine vanilla seeps through, the alcohol
bitter on my tongue, but I know it could be
sweet—birthdays and card games and vacations
before, before I scratched this bowl
with shards of pride and uncaring
silence, stains that
won’t fade.
I pour in my awkward little affections,
chest(nuts) dissected to reveal thinly veiled shame,
indifference.
The mixer is a storm in my hand,
controlled chaos longing—struggling
to be set free. Make a mess
of my innards, my deception
and truth, intertwined
inseparable vines that constrict apple chunks
and almonds—like both our eyes—shattered—
and I can’t find myself in this thick swirl.
The muted silver lining and copper stains
won’t carry into the pan—
let it turn deformed laughter to
de(tached) form(al) smiles, and
burn, burn away, burn my pretense into
every bite, burn my stubborn mouth and
comfort it. Sickening sweet armour
is not what she sees, just
decoration because she doesn’t
look at me.
I won’t let her look at me.
I baked a cake for my mother
with sharp pieces of me, before and after,
the raised corners of my lips stiff and numb
as I told her,
happy mother’s day.
I set the cake ablaze in the fireplace.
About the Author
Joy Mao is a Chinese-Canadian writer whose work has appeared in Red Pocket Magazine and the In Focus 2018 Anthology. Her favourite authors include Emily Dickinson and Jin Yong. In her spare time, she enjoys experimenting with different poetic forms (the sestina is a recent favourite), reading Chinese fiction, and playing guitar.